Poster of the movie Anna Magdalena (1998)

Anna Magdalena

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6.4
Putonghua

Scruffy but irresistibly attractive Yau Muk-yan, without a job or a place to live, moves in with sensitive, shy piano tuner Chan Kar-fu. Both are disturbed, then obsessed, by the amateurish piano playing of upstairs neighbour Mok Man-yee. Obsession turns to romance, and romance to fantasy.

  • Screenshot #1 from Anna Magdalena (1998)
  • Screenshot #2 from Anna Magdalena (1998)
  • Screenshot #3 from Anna Magdalena (1998)
Storyline 

Scruffy but irresistibly attractive Yau Muk-yan, without a job or a place to live, moves in with sensitive, shy piano tuner Chan Kar-fu. Both are disturbed, then obsessed, by the amateurish piano playing of upstairs neighbour Mok Man-yee. Obsession turns to romance, and romance to fantasy.

The film is structured in four "movements": two themes (Yau Muk-yan, Mok Man-yee), a duet (Yau Muk-yan & Mok Man-yee), and a set of variations (a wild fantasy of Chan Kar-fu in his new novel).

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